The journey from there to here
Published on August 27, 2006 By Gideon MacLeish In Current Events

Now, I'm a long, long way from being Woody Guthrie. In fact, I'm a long, long way from being able to tie Woody Guthrie's shoelaces. But I am proud to say I've "turned the corner" in my guitar playing. I have "Roll on, Columbia", and "So Long It's Been Good ta Know Ya" (both by Woody Guthrie) down cold (same chord progression, slightly different tempo), and can work my way through 4 or 5 hymns (I've started playing a fifth, "Angel Band", a favorite of mine, on the autoharp so I can learn it because I still haven't mastered that danged ol' F chord).

But last night I was just plain proud of myself. I found the arrangements for another favorite of mine, "Long Black Veil", and the old standby "The Yellow Rose of Texas". I played the latter through with very few mistakes the first time I read it (it's a pretty easy chord progression, but you still have to know what you're doing to play it), and did a passable job with "Long Black Veil", which is a little more difficult, but still a relatively easy arrangement. I also worked a little with "Red River Valley", in part because there's a Guthrie song using that tune, and I'm the only feller that knows the words to the Guthrie lyrics.

I may get a chance to play "Roll on Columbia", and "So Long, it's Been Good ta Know Ya" at this year's Chatauqua, and may drop back into rhythm on a couple of others. It's nice to HAVE a repertoire, even if it IS severely limited.


Comments
on Aug 27, 2006
which 'f' chord are you having problems with? this one:

1-X-3-2-1-1

or ?
on Aug 28, 2006
lol, kingbee. I have NO idea what you're talking about when you write it like that.

The one I'm having problems with is the one where you cover the 1st and 2nd strings with your first finger on the first fret, the third string with the second finger on the second fret, the fourth string with the third finger on the third fret. It's getting that first finger down solidly across BOTH strings that's giving me conniptions.

I've come to understand this is a common problem, though, so I'm trying to work my way through it. If you have any tips, I'm all ears. I can get it, just not consistently, and changing to/from that chord is difficult.
on Aug 28, 2006
Oh, never mind. I reread it and got it. Yeah, that one, basically (only my chord chart doesn't show the sixth string being covered).
on Aug 28, 2006
I've come to understand this is a common problem, though, so I'm trying to work my way through it. If you have any tips, I'm all ears. I can get it, just not consistently, and changing to/from that chord is difficult


Yes Gid it's a common problem. The chord is "f". Try a lighter sting. Back in the day I used to have great luck with Ernie T Ball "Super Slinkies".
on Aug 28, 2006
Try a lighter sting.


Yeah, I have strummed a bit on my friend's guitar with "extra lights" on it, and I think that's what I'm going with when I replace these strings. I have a set of mediums, but I'll use those only for emergency use once I can get a set of extra lights.
on Aug 28, 2006
basically (only my chord chart doesn't show the sixth string being covered).


by fretting and sounding that note, you add one more root (an 'f' since you're chording f)to the mix. it also points to the fact you can make an f chord by sliding a standard 'e' chord--like 0-3-3-2-0 0--up one fret (or half-step) and barring across the 1st fret to catch all those notes (making it 1-4-4-2-1-1)

if you're playing in the key of 'c', 'f' would be your fourth and 'g' would be your fifth (the vast majority of american roots music is based on variations on that 1-4-5 structure).

i'm guessing your problem isn't forming the f chord so much as switching from it to a 3-2-0-0-0-3 g chord form. in that case, you could simply slide the 'f' up two frets to make it a 'g' like this: X-X-5-4-3-3 to make changing from c to f to g and back more efficient and easier for ya.
on Aug 29, 2006
what kinda guitar is it?
on Aug 29, 2006
Back in the day (whew, been over 30 years now) I remember I first taught myself the f chord by playing what is actually an fmaj7 chord. It was much easier to switch between the fmaj7, c and g chords. Eventually I began 'rolling' my index finger down to make it a proper f chord.

Here's a tip. This is a the classic 1,4, 5 (tonic, sub-dominant, dominant) progression. You can easily transpose it to any key by setting the first chord you play as the tonic (1) and then just counting up the scale to find the sub-dominant (4) and the dominant (5). (e.g. if you start on d then d is the tonic (1) the sub-dominant is g (4) and the dominant is a (5). )
on Aug 31, 2006

Back in the day (whew, been over 30 years now) I remember I first taught myself the f chord by playing what is actually an fmaj7 chord. It was much easier to switch between the fmaj7, c and g chords. Eventually I began 'rolling' my index finger down to make it a proper f chord.

I may play with that a little bit. Right now I'm working on mastering the chords (and techniques) I know (which are, admittedly, few), and working more in a bit at a time.

what kinda guitar is it?

It's an Ibanez, acoustic six string.

Barring the first fret helps a little, although I still need to change into and out of the F Chord. It still needs a lot of work.